Please note the comments on “ The Grateful Dead Internet Archive Project ” Recording range from the primordial Acid Test Recording from 1965 through the final Grateful Dead concert in 1995. It is common for bands to have policies that differ between fan trading, versus archiving here. The Grateful Dead Internet Archive Project (GDIAP) will continue its direct management of this collection for the time being.Īs far as we know, there has been no change to standard GD fan trading. Īt this time, the Grateful Dead collection is not open to public uploads. Prior to our completing the changes, text files are easily referenced at a separate database. No filesets have been deleted from the Archive certain items are simply not public now. The metadata and reviews for shows and recordings, even those not available for regular download, will remain available for those who maintain direct links. The Grateful Dead is being separated from the Live Music Archive into its own collection (with its own forum ) to avoid confusion about lossless availability. Here is the basic statement of purpose from the Internet Archive on the Grateful Dead collection:Ībout Grateful Dead concerts on the ArchiveĪudience-made Grateful Dead concert recordings are available as downloads while available soundboards are accessible in streaming format only. For Dead head the Internet Archives Grateful Dead collection is priceless. The amazing Internet Archive in a global treasure of archived public domain Moving Images, Live Music, Audio recording and Text. My blogs on individual Grateful Dead show can be found here.Ī list of all soundboard tapes of Dark Star performances on the Internet Archive can be found here.Ī list of all soundboard tapes of Scarlet Begonia -> Fire On The Mountain performances on the Internet Archive can be found here. In 1968 The Grateful Dead included these members:Īdditional details of the Internet Archive Collection and how these lists were generated can be found here. Many of the early live recordings of the Grateful Dead where due to Owsley’s efforts and his unique approach to clairity and simplicity in miking allows us to experence much of the early shows ‘as they were.’ Between 19, Stanley produced and help distribute more than 1.25 million doses of LSD. Owsley helped develp the distinctive ‘Steal You Face’ Skull logo for the Dead. Owsley Stanley (The Bear) was both chemist and sound man for the Grateful Dead. Tom joined in 1968 and was very important to the massive Dark Stars of yore. Jerry, Pigpen, Phil, Bill and (the under aged) Bob formed the Warlocks in 1965 playing as the ‘house band’ with Ken Kesey’s Acid Tests in San Francisco. The Grateful Dead: Dark Star Rising (1966 – 1969)Īfter leaving the Army in 1960 (the story goes that he lost a tank) Jerry Garcia gravitated towards bluegrass (playing banjo in his band Mother McCree’s Uptown Jug Champions and LSD (1964). Dig in and enjoy! You didn’t have to be there. Not all shows are well recorded but the there are great moments here. Preference is given to tapes processed by the great Charlie Miller and sound board tapes. This series attempts to provide a simple interface to this collection by selecting one recording for each concert on a given date. There are multiple recordings of most concerts. The Internet Archive’s Grateful Dead is a great collection of concert tapes. The Grateful Dead Concert Tapes On The Internet Archive
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